Resubmission Material

I drew an exploded axonometric showing the different spaces; gallery and living, which I had intended to have for the first submission, but didn't have time to do.

All the image editing and portfolio was produced for resubmission. I also made a model in revit to generate some renders to get a sense of the space and light, which could not be photographed, since it was too narrow.

chef's living area

gallery space

view at the end of gallery corridor

exterior at night

Roof garden view

Models

1:500

1:100

garden level

ground floor

first floor

roof floor

1:50

Drawings

Site map

 Plans

Street Elevation

Rear elevation

Section A

Section B

Section C

Section D

Section E

Section F

Blurb

The clients for this design are an art collector, who is the primary owner, and his friend, a professional chef. The program of the building has be arranged into two layers; the gallery, and the living area. The shared circulation path carves a double height gallery space through the form as so to fully immerse art into both inhabitants' daily lives.

Both self-contained homes are relatively modest for the size of the site, but share two large gardens; one below, which is the public sculpture garden, and one above, which is a private roof garden. Here, the old friends may relax together in the open, but away from the busy street, and admire the luxurious view.

Sinking the sculpture garden under the building gives the form a lightness and illusion of floating. It reinforces the tunnelled, canopy feel of the trees on Victoria Street with the heavy mass floating above.

Site Analysis

The site for the next project is located on Victoria Street in Potts Point. It is a high traffic dense urban area with a large variety of small businesses and residential terrace houses surrounding it. At the back of the site, there is a 13m drop.

Trees line either side of the street creating a canopy above the street, and a tall tree at the back of a neighbouring building can be seen from the site.

View of Victoria Street

View from site looking onto city & the domain

On site sketch of trees on street

On site sketch of undercroft behind terraces

On site sketch through clerestory window in existing building

Diagrammatic sketch of view from site

Notes: view west from site is the city skyline, including centrepoint tower, but towards the north, there is a view of the harbour bridge, which is more interesting, in my opinion.

Portfolio

Submission for Project 2 is also in there, so that will have to do. (give it a second to load)

Part A

All drawings for part A are 1:50 on final presentation layout. I have chosen to focus on the concept of skins within the kitchen area of the Gehry Residence.

Ground floor plan

Shows the relationship between the skins of the existing building and Gehry's addition. Certain cuts in the new skin have been added as the previously exterior windows become interior windows and provide new opportunities to allow light to penetrate through the building according to sun paths.

The south wall of both the exterior and interior being stripped back to its studs not only reinforces Gehry's deconstructionist ideals, but also allows southerly light to flow through the building. 

The addition of the new skin creates an ambiguity between interior and exterior areas as it is not as clearly defined as a space as the existing building (timber structure, dutch colonial). Despite being interior, it creates an interstitial area through the use of scrapyard, rough, construction materials (steel, exposed timber framework, chain-link fence), and its sense of incompletion.

Section

Shows the existing building's skin as an elevation and reveals the exposed timber structure which contributes to the sense of incompletion and perpetual construction of Gehry's added area.

Elevation

Shows the new skin in relation to the old skin and how it appears to hug around the building, encasing the traditional build in Gehry's ideals.

Model Progress

oops it was supposed to be done :(

Part B

1. Skins

As an extension of my literal skins study in part A, I abstracted the concept by joining the elevations into a continuous drawing and pulled the skins apart, adding the skin of vegetation, which I have considered a layer of the design.

I found a plan of the landscaping in an article from the library but I lost the reference sheet I had for them :(

NOTE: UPLOAD MODEL PHOTO

2. Light Study

I found the placement of openings in the building interesting, so I did a light study. The direction of the lines show the direction of the light (bar the diagonal, which is light coming from above), and dotted lines represent light going through a skin. The overlapping of these build up intensity of light.

I underlaid the plan onto Google SketchUp and modelled the light coming through the building from all directions (simplified to north/south/east/west). I took 12 horizontal sections of the model at equal intervals. 

These were drawn onto AutoCAD and hatches were applied. 

I knew I wanted to represent these 2D drawings as a 3D model on layers of acrylic so you could see the blocks of light, but the issue was getting the prints onto the acrylic. I also decided to present the model on an iPad to have a backlight, because the layers made it look a bit foggy towards the bottom.

Failed tests:

 PHOTOS OF THINGS

3. Materiality

1. corrugated steel

2. asbestos shingles

3. glass

4. chain-link fence

5. timber studs

6. masonry

The use of material in Gehry's addition signify construction, as he was enamoured with the "potential" buildings on construction showed. It is in stark contrast to the traditional timber frame existing house.